Majiks.
The creative company for the AI era.
Majiks is an ecosystem of eight platforms — Studio (creator suite), Online (publishing & listening), Music, Kids, News, Academy, Training, and Media (the rights infrastructure).One royalty rail. One creator identity. Already in production.
Made with Majiks · April 2026
WTF BRO — written, generated,
and produced inside Majiks.
From a real text thread to a real song. In one weekend. The receipt for every claim further down this page.
3:10 · F minor · 140 BPM · comedy rap|Aaron Stransky × Claude × ACE-Step
How it was made→Eight platforms. One rail.
Cradle to grave inside a single ecosystem. Make it in Studio, ship it via Online, license it through Media — every track stamped with the same ISRC, the same fingerprint, the same proof of who made what.
FlagshipNative macOS creator suite. Local AI generation, MLX-accelerated. The DAW that talks back.
756+ tracksPublishing and listening hub. Direct-to-listener. $1 per song. You own it.
Sync licensing marketplace and the rights infrastructure under everything else.
Free browser-native generator. ACE-Step API, WebGPU LLM, your files stored on your machine. Sign in once, publish anywhere.
AI music for early learning. COPPA + FERPA compliant from day one.
AI-native music culture. Discovery + behavioral feed. TikTok-style for sound.
Self-paced learning for individual creators — songwriting, production, AI-augmented craft.
B2B and corporate creator education. Certification, multi-seat licensing, enterprise-ready.
Eight surfaces, one identity, one royalty rail — the part that's actually hard to copy.
Read the ecosystem strategy→Every track gets a real receipt.
From a creator's Mac to a federated registry — every step is real infrastructure: authentication, fingerprinting, ISRC mint, provenance cert, catalog entry, fan-out. No black boxes.
Whoever owns the registry of who-made-what becomes the spine of the next music economy.
The Big Three (Universal, Sony, Warner) capture roughly two-thirds of recorded music revenue. The rest is scattered across distributors, aggregators, and platforms that all charge tolls.
Streaming pays artists ~$0.003 per play. To earn the price of a coffee, an artist needs roughly a thousand plays.
AI made music infinite. The existing rights infrastructure was designed for a world where humans made every recording.
The industry's first response was to litigate. Then UMG–Udio (Oct '25) and Warner–Suno (Nov '25) flipped to per-generation licensing at $0.002–$0.005, attribution-weighted. The fight became the toll booth — same gatekeepers, new tax.The right move is to build a toll booth that pays the artist back — and we have.
Five layers. Stack them — that's a thesis.
Already at scale. The infrastructure exists. The question was never can we build it — it was can anyone replicate the distribution.
Approved ISRC registrant (artist tier) — we mint authoritative codes today for any artist on Majiks, all under our registrant name. DistroKid/CD Baby parity at retail. Approved with MLC Sound Source. Registered with the MLC. We've also applied for the wholesale ISRC Manager tier — the layer that issues ISRC blocks to other labels — with a strong case for approval. Every track gets a real ISRC, a Chromaprint fingerprint, and a SHA-256 provenance certificate at upload. Not pending. Already shipping.
Unicorn Commander — Magic Unicorn's distributed federated infrastructure. We plan to release Majiks itself as decentralized infrastructure. Anyone can run a node. It all registers back to us.
Creator owns the master — Studio runs open-source models on your machine, the file is yours forever, in commercial perpetuity. Listener owns the file — $1 per song, no subscription. We don’t take a cut on personal licenses. Compare Suno’s own help docs: “If you are using the free version of Suno (our Basic tier), we retain ownership of the songs you generate.” Compare Spotify: ~$0.003 per stream — 333 plays to earn $1. Ownership all the way down is the only relationship that doesn’t get eaten by intermediaries.
Most music going forward is hybrid — humans write lyrics, AI fills the band; AI generates a sketch, humans cut a vocal. We don't differentiate AI from human in our catalog because the distinction is already fading. It's the position competitors are afraid to take — and the only honest one.
The reference desktop for ACE-Step.
Formal partnership with the open-source music foundation model that powers Majiks Studio. Co-marketing, free cloud API for Studio users, XL-tier model early access.
ACE-Step is the open-source music model that lets Majiks Studio run music generation locally on Apple Silicon. We're the production reference desktop product — the Hugging Face transformers of music generation.
Hands on every commit.
The same people who write the code ship the product, talk to artists, and answer the email. Desktop apps, web platforms, mobile clients, streaming infrastructure, DSP — owned end-to-end without a cloud-API budget.
Builds the infrastructure (Unicorn Commander) and the creator suite — Studio, Art Studio, Songwriter. Apple Silicon + ML systems specialist. Ships notarized macOS, iOS, Android, Linux, web.
ACE-Step partnership owner. B2B distribution and MSP background (Genesis Flow Labs). Frisco, TX. The deals get done because Shafen is making them.
We took our text messages. Majiks gave us back a song.
The song exists because the platform exists. Direct quotes from a real late-night debugging session became verses. Claude wrote the lyrics. ACE-Step composed the music on Apple Silicon — fully on-device, MLX-accelerated. We finished it inside Majiks Studio and shipped it in one click. Six steps, one weekend, zero cloud bills.
Chat backend error — all LLM providers failedCheck configuration and API keys — derailedBut then — OMFG — I was going to say the sameTook out the trash, came back, song was waiting — no shame
- 01
Real text messages.
Source · iMessage corpusA 3 AM debugging session went sideways. Builds wouldn’t sign, the chat backend died, every LLM provider failed at once, and Hina was waiting on a massage that was never coming. We saved the thread.
- 02
Lyrics drafted with Claude.
Lyricist · ClaudeClaude read the thread and pulled direct quotes into verses. No paraphrasing. “Hina’s pissed.” “Chat backend error — all LLM providers failed.” “Six times faster — found the optimization that was missing.” Real lines, in order.
- 03
ACE-Step composed the music.
Composer · ACE-Step · MLXComedy rap, F minor, 140 BPM. ACE-Step 1.5 generated the instrumental and vocal pass on Apple Silicon — fully on-device, MLX-accelerated, 2–3× faster than CPU. No cloud, no API bills, no rate limits.
- 04
Refined in Majiks Studio.
DAW · Majiks StudioVocal balance, low-end, the chorus hits. Native Rust DSP — FFT, biquad EQ, convolution — all running locally inside the DAW. The same Studio every other track on majiks.online comes out of.
- 05
Cover art and music video.
Visuals · Art StudioAlbum art rendered in Majiks Art Studio (FLUX.1 + mflux on Apple Silicon). The music video cut in the same workflow — one machine, one creator suite, one weekend.
- 06
Published in one click.
Publish · Studio BridgeStudio Bridge pushed the FLAC master, both M4A streams, artwork, and metadata to majiks.online — ISRC minted, Chromaprint fingerprint stored, SHA-256 provenance certificate signed. Zero web friction between making and shipping.
Every claim further up this page — the 800-songs-a-night, the on-device MLX, the ACE-Step partnership, the one-click publish, the ISRC, the fingerprint, the provenance certificate — ran end-to-end on this song. That’s the demo. That’s the receipt.
We're selecting 3-5 launch partners.
You're here because someone showed you this. That's not an accident.
No pitch decks. No formal process. Just a 30-minute conversation to see if there's mutual fit.